Future of Filmmaking
In Development
Attention Capital founder Josh Stein explains why audiences are now a measurable asset class.
Stream It
A number of digital publishers, including IndieWire, are bringing fresh content to the streamer later this summer.
Future of Filmmaking
Applications for our Future of Filmmaking Venice Intensive close on Monday, July 6.
A Producer's Path
Before you take the first offer in front of you, consider whether it actually leads your film towards your desired outcome.
In Development
After years of guarding its creative process, A24 is giving Google DeepMind a seat at the table. The films aren’t the asset, but the workflow is.
In Development
The real story behind “Backrooms” and Issa Rae's “Screen Time” is compression — the craft of concentrating audience attention into a window short enough to make something feel essential.
Could we finally have a replicable process for direct filmmaker-to-exhibitor relationships after decades of conspicuous absence?
The New Workflow
Platforms like Artlist Studio, ComfyUI, Flora, and Amazon's Project Nara are all building AI workflows aimed at meeting the needs of filmmakers.
In Development
From a straight-to-VHS release to Criterion's six-hour lines and Portland's one-night-only cinema, audiences are discovering that what can't be streamed is more valuable than what can.
A Producer's Path
Without pre-existing demand for your film, the market doesn't magically appear when you need it.
In Development
"Backrooms" and "Obsession" are likely to kick off a rush of studios trying to sign prominent creators, but artists should be wary of what the system is really offering.
Cannes
Slager spoke with California Film Commission Executive Director Colleen Bell about keeping productions in the state.
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